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Herod and John the Baptist.
The king was saddened, but for the sake of the oath and for the sake of his fellow-constables, he did not want to disappoint her. Immediately, he sent an executioner and ordered John’s head to be brought. He went away, beheaded him in prison, brought his head on a platter, gave it to the girl, and the girl gave it to her mother” (Mk 6:17-29).
According to Josephus Flavius, the death of the Baptist had a political motive; Herod feared that the popularity the Baptist had among the people would cause a revolt that would threaten his position. The evangelist wants to make a point about the Baptist’s actions: it is not a moralistic condemnation, but a connection between power and religion that keeps people in subjection. It is unlikely that the daughter of Herodias, the princess, would dance in public. Prostitute dancers were called in for these occasions. This expresses a humiliating flattery of power. In a story where everyone has a name, only the daughter is nameless. We know from Josephus Flavius that her name is “Salome,” but the Gospels are silent on this because she is a representative figure. She is a characterless figure, without personality, she has no will of her own and has to ask her mother what she wants. Through the anonymity of the daughter, the Evangelist presents us with the situation of a people who are ready to prostitute themselves just to remain attached to the representatives of power. The author of the text thus recalls the theme of prostitution of the people of God through the dance, a typical role of prostitutes.
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